As one of the college’s most accomplished alumni working in the arts today, her independent vision, and dedication to underrepresented artists, are inspiring manifestations of a Reed liberal arts education. The Cooley is honored to welcome Rabinowitz home to Reed. Grant’s exhibition celebrates the publication of the artist’s first monograph, Bev Grant Photography 1968-1972, edited by Rabinowitz, and published by OSMOS. The exhibition is co-organized by OSMOS founder and director Cay Sophie Rabinowitz ’89 and Cooley Gallery director and curator Stephanie Snyder ’91. Cooley Memorial Art Gallery, Reed College, presents the first West Coast exhibition of photographs by Bev Grant-Portland-raised activist, musician, artist, and educator. Bev Grant Photography 1968-1972 Image Gallery Exhibition File He added that he looks forward to establishing collaborations and partnerships between SculptureCenter and international institutions, as well as reaching new audiences.Īrtist Carol Bove, who serves as president of the museum’s board, said of Rattemeyer in a statement, “He is a passionate idealist who also brings practical institutional-building skills and strategic insight to reinforce our strength as a platform for radical thought and practice.Bev Grant, Women’s demonstration at the courthouse, Free Ericka Huggins and Bobbie Seale Protest, New Haven, Connecticut, Novem(detail). I feel deeply honored to be able to serve an institution that is so artist-focused.” “I think going to SculptureCenter and being able to serve as a director allows me to go back to my original passion of working more closely with artists. “ The last 12 years at MoMA have been hugely fulfilling and I’ve learned so much from my colleagues there, from the committees and trustees, and everyone,” Rattemeyer told ARTnews. He relocated to New York in 2003 and joined Artists Space as curator, where he worked for four years. In 1997, he founded and served as gallery director of Osmos, a contemporary project space in Berlin (now located in New York), and he was co-curator of the third and fourth International Biennials for Film and Architecture Berlin. Rattemeyer began his career as an artists’ assistant at the ninth edition of Documenta in his hometown of Kassel, Germany in 1992, and he was also involved in producing Documentas 10 and 11. He is currently co-organizing the show “SURROUNDS: 11 Installations” for the museum’s reopening in October. A few of his curatorial credits at MoMA have included “Transmissions: Art in Eastern Europe and Latin America 1960-1980” (2015), “Alighiero Boetti: Game Plan” (2012), and “Projects 95: Runa Islam” (2011). Taking up the post on November 1, Rattemeyer succeeds Mary Ceruti, who became director of the Walker Art Center in Minneapolis earlier this year.Īs director of SculptureCenter, which is located in Long Island City, Rattemeyer will oversee all exhibitions and programming. Christian Rattemeyer, who has spent 12 years as associate curator in the department of drawings and prints at the Museum of Modern Art in New York, has been named as SculptureCenter’s next director.
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